One Point Perspective in Wes Anderson's Asteroid City.
Two Point Perspective in Alfonso Cuaron's Children of Men
Ed Ruscha
Consider your shots. Which perspective is best for your goals? Symmetrical or asymmetrical? Flat or deep focus? Wide views or close-up details? Is a high or low angle preferable? Is there any interesting motion taking place in the shot? How does the frame change over time? What sort of shot length will you need to get what you're interested in?
Plan for your edit: What will the arc or progression be? What shots might be needed to link your ideas together?